The works of Jacques Prévert and the songs of Georges Brassens and Jacques Brel did achieve the status of popular poetry; but, apart from Saint-John Perse, there was no major figure in the tradition of Claudel and Valéry, and the poetry of the post-Surrealist generation appeared to have no clear formal or ideological direction.
Focus groups would clearly have shown that Cruz seems to talk at people, not to people, that he seems structured, formal, unapproachable, ideological, and rigid.
Each tells essentially the same before (the czar) and after (the revolution) story, though with different degrees of formal invention and ideological insistence.
The issue is, indeed, usually only raised at all by those critics who are more interested in politics, religion, or ideology than in literature; thus, they object to writers who they feel sacrifice ideological orthodoxy for formal perfection, message for style.
These designers digitally augment the stylistic and ideological underpinnings of formal postmodernism and smash them together with an old school, surrealist sensibility, ultimately pushing these qualities so far past the absurd that they become legible once again.
This ambitious show focuses on the ideological rather than the formal construction of the garden.
The officer, Gen. John P. Abizaid, also said the ranks of insurgent forces in Iraq were not being swelled by large numbers of foreigners, although he said some had formal ties to Al Qaeda and some had ideological sympathies with the terrorist network.
Two years ago, when Portzamparc's LVMH Tower opened on East 57th Street, a New York critic complained that Portzamparc had adopted the formal motif of folded planes without embracing the ideological intent of other architects who had used similar motifs.
We contribute by detailing an important, yet still insufficiently explored, part of this implementation process, namely that the formal MCS, through the interplay with the predominant ideological control in place, became vested with symbolic significance.
Krauss's kind of tendentious theoretical analysis, often strongly tinged with an ideological bias, tended to replace strictly aesthetic formal analyses as the century progressed.
