Sentence examples for formal color from inspiring English sources

It includes a short video loop in which the artists use either end of a rope to climb up opposite sides of a handball wall and a series of soberly formal color photographs in which they have integrated their bodies with selected elements of concrete buildings.

But making graphic art was, for Vonnegut, a hobby that extended beyond illustrations for his fiction: he painted seascapes and landscapes on Cape Cod in the nineteen-fifties; felt-tip drawings of abstract faces on discarded pages of manuscripts; and larger, more formal color drawings that he exhibited in a one-man show in Greenwich Village in 1980.

The only factor that was reliably related to preference-for-harmony was the amount of formal color training that participants reported on a scale from 1 to 5, in response to the question, "How much formal training have you had in color?" Figure  9 shows average preference-for-harmony correlations plotted as a function of formal color training.

These results correspond to the changes of formal colors of the composites (Fig. 1).

The handsome colorful abstractions by Mr. Odita, for instance, could be read as strictly formal geometric color studies, or as Ms. Fitzgerald writes in the exhibition's catalog, merging landscapes or racial fractures.

Its concerns are often entirely formal: line, color, mass and weight.

Here the landscape is stripped of detail and reduced to its bare formal essentials: color, shape, line and volume.

As Jack Flam writes in the introduction: "He created a language of painting — a vocabulary of formal patterns, colors and gestures — rather than a single, recognizable 'image.' " This book is a riveting epic of one artist's career, three volumes to live with for years and years.

Supplementary Material Fig. S 8 shows pair preferences separately for observers with low, moderate, and advanced formal training in color together with regression models that examine how perceived harmony and preference for component colors differentially explain pair preference ratings for each of the three groups.

Ms. Geesaman's lush photographs of parks and gardens in Europe and the United States combine exacting formal order, heightened color, melting light and shifty focus.

In the next years Matisse pushed his art to even greater extremes of scale, stand-alone color, formal power, surface roughness and emotional undertow.