Sentence examples for form movement from inspiring English sources

His short, brilliantly syncopated compositions of colour, form, movement and music (of Ravi Shankar, Oscar Peterson, Pete Seeger and others) prefigure much of what we see today.

For the way he does the same to entire forms, listen to the Piano Quintet, a fully fledged sonata form movement that makes its recapitulation a musical black hole of time and tonality, sucking up the material you've been listening to for the last quarter of an hour into a couple of frantic but inevitable-sounding minutes.

By incorporating color and form, movement, melody, rhythm, imagination, notation and collage, Voigt has come up with a systematic and multi-perspective approach to depicting the world — what happens when the quotidian (for example, walking down the street) collides with the nuanced (birds chirping, the direction in which the wind is blowing, leaves rustling) on a single picture plane.

Dosage form movement profiles as well as pressures can be simulated in a physiologically relevant manner.

Dissolution experiments revealed the relevance of all simulated parameters (i.e. pressure, dosage form movement and pump rate).

Since these receptors view the center of the region of overlap, a single point in space can be analyzed simultaneously for form, movement, color, distance, and polarization!

In this movement, Haydn departs from the monothematic approach that characterises many of his other sonata form movements in the set.

In a number of movements, including sonata form movements and minuets and trios, Haydn eschews presenting a second and contrasting theme and instead elects to explore the full potential of the primary theme.

A little history: Mr. Capron was a charter member of the formes libres (free forms) movement in postwar French pottery centered in Valluris, a working-class town in the hills above Cannes known for its ceramics since Roman times.

Cast in one sonata-form movement of Mahlerian scope, it blends influences of Schubert, Ligeti, and Brahms with Adès's own moods, which are frightful and disarming by turns.

Sehgal's unnamed submission for the Encyclopedic Palace, the theme of the Biennale, featured humming, beatboxing (a form of verbal percussion), and free-form movement.