Sentence examples for form and representation from inspiring English sources

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Woolf was fascinated by Cézanne's radical approach to form and representation.

His fusion of aesthetics and politics, of form and representation, of fact and style, would make him an exemplary critic of the present day.

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In this paper she analyses the methodologies of investigation and the discussions about forms and representations, and shows the difficulties and rewards of this type of collaboration.

When later authors like Cicero (106 43 BCE) and Augustine (354 430 CE) discussed Platonic concepts in Latin they used the terms informare and informatio as a translation for technical Greek terms like eidos (essence), idea (idea), typos (type), morphe (form) and prolepsis (representation).

The integrated approach involves (i) text mining guided by RLIMS-P, a tool that identifies phosphorylation-related information in scientific literature; (ii) data mining from curated PPI databases; (iii) protein form and complex representation using the Protein Ontology (PRO); (iv) functional annotation using the Gene Ontology (GO); and (v) network visualization and analysis with Cytoscape.

Although form and object representations activate both hemispheres (Gilaie-Dotan et al., 2008, 2010), neuropsychological studies suggest that the right ventral cortex plays a more critical role in object recognition (Humphreys and Riddoch, 1984; Davidoff and Warrington, 1999; Barton, 2011; Konen et al., 2011).

The architect Josef Frank would ironically speak of the tenement block Volkswohnpalast as a residential palace for the common people, that only appropriated bourgeois forms of living and representation.

Certainties were being exploded, and perhaps there was a new integrity in experimentalism and confusion, in a cinema which challenged not merely the authorities who had allowed the horrors to happen, but which challenged those classical forms of storytelling and representation culturally licensed by the powers-that-be.

Big data approaches lend themselves well to automated forms of analysis and representation, whereas small data approaches require close reading and manual coding of tweets [ 17].

This was a dramatic moment, indicating a new and modern form of representation and an alteration in the mode of experiencing events in the world.

This same analysis of our power of representation also claims to establish the distinction between the form and content of representations, the necessity of both receptivity and spontaneity on the part of the power of representation, the necessary multiplicity of sensations, and the unknowability of things in themselves.

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