Sentence examples for form and composition from inspiring English sources

Exact(23)

She was a master of color, line, form and composition, as well as an incisive translator of facial expression.

Jon Clark is represented by five abstract sculptures that possess an elegant simplicity of form and composition, playing glass against wood.

The form and composition of such urns have varied considerably, being made of terra-cotta, stone, porphyry, alabaster, bronze, silver, gold, ceramic ware, and other materials.

Titian has been admired for the technical wizardry of his brush, for his ability to translate raw emotions into colour and flickering light and for the unnerving tension he creates through subtle distortions of form and composition.

Almost as bizarre, Janet Kardon, the exhibition's original curator, discussed the artistic properties of the photographs strictly in terms of light, form and composition, evading any mention of their sexual content.

The alphabet went through many changes in form and composition over the course of time; it achieved its final ("classical") form about 400 bc, with 20 letters four vowels (a,e,i,u) and 16 consonants a reduction from earlier forms with 26 letters (c. 700 bc) and 23 letters (5th century bc).

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Similar(37)

A self-described heir to Delacroix as a colorist, he talked about rescuing painting from line (the legacy of Cubism) and from its general condition as a "prison window, with the lines, contours, forms and composition determined by the bars".

Patients have resorted to TM in every disease entity and illness and in all forms and composition.

The term naive suggests a childlike style in an artist's line, form, perspective and composition.

Her overall approach to form, color and composition is a more abstracted version of the work of the well-known painter Tom Burckhardt, while some of the techniques she uses are very similar to those employed by the famous Surrealist Max Ernst, who paved the way for a multitude of experimental and intuitive approaches like decalcomania.

Rivera rejected conservative 19th-century European traditions and instead used forms and compositions from revolutionary Russian, pre-Columbian, Spanish and modern European art.

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