Sentence examples similar to form a rhythm from inspiring English sources

The phrase "form a rhythm" is correct and usable in written English
It is typically used to describe the process of creating a pattern of beats or notes, often in music or poetry. For example, "The class worked together to form a rhythm on the drums."

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Together they form a rhythm-band-and-dance quartet whose lead dancer, Willie Johnson Byron Easleyy), has aspirations to strut his stuff at the Cotton Club in Harlem.

Especially not in the form of a rhythm game.

From tennis balls to basketballs, balloons, cutlery, plates, paper, and of course a TV, these objects obeying the laws of physics become synchronized to form a haphazard rhythm as gravity becomes the conductor to this orchestra of objects in freefall.

Formed as a rhythm-and-blues band in 1963 by brothers Ray and Dave Davies, the Kinks originated in Muswell Hill in northern London.

Mr. Ayler's sound was formed during a rhythm-and-blues-influenced adolescence, a stint as an Army musician and a two-year sojourn in Northern Europe in the early '60s that included exposure to the music of the free-jazz innovator Cecil Taylor.

Veteran Dukes Kelly Looney (bass) and Will Rigby (drums) formed a formidable rhythm section, so the musicianship was still there, thankfully.

Notice how it forms a natural rhythm.

Okegwo, one of the most in-demand bassists in the world, nuances every last drop of warm, wooden sound from the depths of his bass, and locks in flawlessly with Davis and Parson to form a tight, swinging rhythm section.

It is a glittery return to form for Diamond, with a rhythm and melody that sounds pulled (like always) from the brightest moments of 90s euro-pop and house.

Hendrix had formed his band at speed: a rhythm guitarist from Kent called Noel Redding – who had applied to join the Animals but to whom Hendrix now allocated bass guitar – and Mitch Mitchell, a jazz drummer seeking to mould himself in the style of John Coltrane's great percussionist, Elvin Jones.

The number of pitches in a Chinese lyric word ranges from 1 to 8, and the rhythm mark number of a pitch is from 0 to 2. Thus, words, pitches, and rhythms form a complex three-dimensional (3D) spatial relationship in a GCN score, with the first dimension containing lyrics, the second dimension containing pitches, and the third dimension containing rhythm marks.

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