(The common term for those works is "crosshatch," but their lines never cross).
These transactions might seem small in light of the money that has been paid for those works by the two Abstract Expressionist painters.
She is halfway through a four-year "Bach odyssey", traversing his massive keyboard repertoire, and 2017 is the year for those works.
As for those works that are the talk of the town, highly valued, read by all and sundry, the best in fact: well, all that's false, exaggerated, puffed up.
Is it not true, Mr. Théberge, that your position is that the canvas-backed reproductions that are now being made of your works are unlawful because you do not authorize them and especially because you are not paid a royalty for each reproduction that is made? A. I would never want a penny for those works.
In particular, the Authors speculate that, if hackers were able to obtain unauthorized access to the books stored at the HDL, the full text of these tens of millions of books might be distributed worldwide without restriction, "decimat[ing]" the traditional market for those works.
