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For some listeners, including me, the piece is nearly unbearable.
For some listeners, the sound is simply too unpleasant.
For some listeners, these characteristics made for idiosyncratic performances.
Rather, he ventured that "Kingdom Come" was a little too "sophisticated" for some listeners.
For some listeners there's a danger of mysticism overload with Ms. Coltrane's music.
For some listeners, no doubt, the high gloss might have seemed too bright, even glaring.
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Sound imperfections that before seemed cosmetically hidden are here revealed with new clarity, adding to the texture that for the some listeners only increases appreciation of the recording in its context.
There's a reason for the devotion that some listeners bring to the mid-1960s music of John Coltrane, or to the output of his fellow saxophonist Albert Ayler.
It was mistaken by some listeners for a novelty song, because its composition is so extreme: the members repeat the titular word nearly two hundred times, hammering the name until it sounds like nonsense syllables, and then hammering some more.
While avant-garde projects such as 2001's Colossus of Destiny proved too perversely indulgent for some sensitive listeners, and despite the odd mid-LP wobble such as 2013's screwball cover of 99 Bottles of Beer, they've recorded some of the heaviest and most rewarding rock of the last three decades.
Like an enormous, puffy ribbon, a long span of translucent off-white fabric with an inner metal skeleton twirls down from the ceiling in expanding circles, until it nearly surrounds the low platform stage and the seating area for some 200 listeners.
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CEO of Professional Science Editing for Scientists @ prosciediting.com