Sentence examples for for his presentation of from inspiring English sources

For his presentation of Henrik Ibsen's Hedda Gabler in 1906, Meyerhold rebelled against the stylized naturalism popularized by Konstantin Stanislavsky's art theatre and instead directed his actors to behave in puppetlike, mechanistic ways.

This is an ultimate description of reality for proponents of the Yogācāra/Cittamātra systems, but for Śāntarakṣita here, this is part of his presentation of conventional truths, thus, incorporating a Yogācāra/Cittamātra orientation for his presentation of conventional truths.

While he took the standard collapse theory to encounter a serious conceptual problem, he also used it as the starting point for his presentation of pure wave mechanics, which he described as the standard collapse theory but without the collapse dynamics (rule 4b).

: Babb is best known for his presentation of exploitation films, a term many in the business would embrace.

Self-described as "America's Fearless Young Showman," he is best known for his presentation of the 1945 exploitation film Mom and Dad, which was added to the National Film Registry of the Library of Congress in 2005.

The author is especially grateful to Prof. Xiongwen Wu for his presentation of the EBV-transformed B cells.

Last summer the conductor Vincent La Selva, renowned for his presentations of free opera in Central Park, scheduled a performance of Puccini's "Tosca" for Sept. 9.

In second place was Katharina Heye (Goethe Universität, Frankfurt, Germany) "Comparative toxicity of carbamazepin and its main on Chironomus riparius", and Fabian Fischer (Justus Liebig Universität, Giessen, Germany) was awarded the third place for his presentation "Passive dosing of hydrophobic organic chemicals in toxicity tests with C. elegans".

When the time came for his presentation, Harvey descended the steps of a flag-decked auditorium.

He is shortlisted for his presentation in the Scottish pavilion of last year's Venice Biennale in which he screened the 1953 arthouse film by Chris Marker and Alain Resnais, Statues Also Die, which explores African art and its post-colonial commercialisation.

The New Yorker, September 13 , 1999P. 106 Briefly Noted review of "A People's History of the Supreme Court," (Viking; $32.95 by Peter Irons... [Irons] is sometimes preachy, and very occasionally tendentious, but for the most part his presentation of the Court's opinions reliably reflects contemporary consensus.