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In the Discourse on the Origins of Inequality, for example, he characterizes animal species in essentially Cartesian terms, as mechanisms programmed to a fixed pattern of behavior.
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In attempting to refute the Big Bang, for example—which he characterized as a "ridiculous" idea Carson said: You have all these highfalutin scientists, and they're saying that there was this gigantic explosion and everything came into perfect order.
In attempting to refute the Big Bang, for example — which he characterized as a "ridiculous" idea — Carson said: You have all these highfalutin scientists, and they're saying that there was this gigantic explosion and everything came into perfect order.
To support their contention that Heaven desires what is righteous (yi), for example, they characterize righteousness as comprising life, wealth, and order and claim that Heaven desires these.
For example, Lake characterizes Aristide as an arms-dealing gang leader and the United Nations soldiers as bloodthirsty cowboys.
For example, Armstrong characterizes the introspective process as "a mere flow of information or beliefs" (Armstrong 1993: 326).
For example, Thomas Hill characterizes the failure of autonomy in the case of the Deferential Wife as a moral failure of self-respect, a failure to treat oneself as a moral equal (Hill 1991, 15).
For example, Hagen characterizes "On Reaching Forty" as a light rumination about growing older.
A former dancer, he wages war on the stock attitudes that opera singers recycle generation after generation — for example, the tenorial arm gesture that he characterizes as "Please examine our fine display of jewelry" or "Would you like a pie?" In Curran's scheme, Elena's wayward behavior was the affect of a Romantic-era "flower child" who has been freed from social mores.
For example, her biographer characterizes her as a brilliant writer with a nimble mind.
(The "color solid" [see the link to the Munsell solid in Other Internet Resources, below], for example, characterizes color experience by appeal to just three dimensions of variation: hue, saturation, and lightness or brightness).
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