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The Economist, for example, depicted Africa as a "hopeless continent" in 2000, with its then Africa editor, Richard Dowden, penning an equally prejudiced cover story.
The Adoration of the Magi, for example, depicted three pipe-cleaner-like shapes, one of them with three heads, abasing themselves before a geometrid representation of Mary, who bears a small circle in her hands.
Robert Aldrich's classic film The Killing of Sister George (1968), for example, depicted a stereotypical man-like predatory character, in other words a "real" lesbian, pursuing a feminine, in other words, "normal" woman who was about to become lesbian prey.
The life of Kim Peek, for example, depicted in miniature portrait, was marked by extreme ability and disability.
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"Woman in Red Coat, NYC" (1975), for example, depicts a crisscross flow of passersby before a bland architectural facade.
One from 1943, for example, depicts a dead seaman washed upon the shore alongside the warning "A Careless Word..
The Adoration of the Magi, for example, depicts three stick men shapes, one of them with three heads, paying homage to before a cardboard cutout Mary.
Abuzz, for example, depicts the number of good reviews a person has received by putting pictures of starbursts -- which it calls "applause" -- next to their names.
One, for example, depicts a horse, or rather the hind quarters of one; the front of the body seems to have evaporated.
One print ad, for example, depicts a manuscript for "Moby Dick or The Whale," by Herman Melville, with a hand-written note that says, "Dear Mr. Melville, Whale books don't sell.
The Daily Mail, for example, depicts society as shameful and mean, to be feared and to be angry about, where the righteous must pre-emptively strike down the loathsome.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com