Sentence examples for footage works from inspiring English sources

The weird-sounding mix of scripted narrative and found footage works better than it seems it might.

Nevertheless the fierce loyalty of Mr. Liebling's nearest and dearest is extremely touching, and "Last Days Here" — despite its stinginess with back story and early performance footage — works hard to reveal the man beneath the four-decade heroin habit.

Mr. Murdoch's $55,000 share of the building's taxes, based upon his apartment's square footage, works out to about 12 cents for every $100 he spent on his $44 million purchase.

"The fierce loyalty of Mr. Liebling's nearest and dearest is extremely touching, and 'Last Days Here' — despite its stinginess with back story and early performance footage — works hard to reveal the man beneath the four-decade heroin habit," Jeannette Catsoulis wrote in The Times.

The Québécois avant-garde can be traced from this event through to Claude Jutra's first film, Mouvement pérpetual, in 1947, which reverberates with the aesthetic of Maya Deren's Meshes of the Afternoon (1943), to the found footage works of Montréal-born Arthur Lipsett and the works of expatriate filmmakers such as Vincent Grenier and Louise Bourque.

Regardless, Sellers was unavailable for the filming of an ending and of linking footage to explain the details, leaving the filmmakers to devise a way to make the existing footage work without him.

"We filmed Romaine in Bristol and then [director] Nikita von Teickenberg took that footage, worked it in with some shots of Hanover," says Binga. "I think it really captures the sense of movement in the track.

Paul Pfeiffer is represented by one of his manipulated-basketball-footage works.

There's a similar museological quality to "The Miners' Hymns," an elegant, elegiac found-footage work from Bill Morrison, best known for his silent-film reverie "Decasia".

As representations of a period that produced its own black-and-white archival footage, these works reckon with color not simply as an aesthetic choice, but also as a tool through which to define their own relationship to perspectival subjectivity and claims of historical authenticity.

"Mission to the Moon," by Alan Dyer, celebrating the Apollo 11 anniversary, covers much of the same area but does so with a straight documentary approach supplemented by a bonus DVD of Apollo footage (which works on a computer disk drive but not on a TV).