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The result is this beautiful, poetic (if pretentious) 1989 portrait of Japanese designer Yohji Yamamoto as he prepares for the Paris spring shows in his Tokyo studio, packed with backstage footage, visual experimentation and thoughtful, free-flowing discussions of creativity, identity and east versus west.
But Wilder wants footage – visual proof to show to whoever it is he hopes will step up, legally, to defend his Free Network Foundation.
Live bees were used for filming, but showed up poorly in the footage; visual effects technician Laurie Kallsen-George then spent nine days digitally enhancing the footage to improve upon this.
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To fix the perceived issues with the monster, the production team gave the filmed footage to visual effects editor Laurie Kallsen-George, who "took the footage with the monster in it, erased the monster completely, took the monster to a different screen animated it, and added speed blur".
While Amani filmed and edited the footage, the visuals were created by audio and visual artist Redhoot (Oboe Monger).
From the news footage and visuals to the interviews and music, the film grabs your attention as it reveals what happens after the camera crews leave and the survivors, parents, siblings and townspeople go back to life as usual.
It was "strikingly obvious" who the attackers were, given the visual footage, he said.
For the avoidance of doubt individual still images must be sourced from photographs and cannot be sourced from audio visual footage of any match forming part of the Football Services.
The most striking thing in the visual footage is Brian Jones' eyes rolling around, but on the record you can really hear that the crowd are absolutely high as a kite too.
In addition, students should comment in their notes on the style and form of the presentation, the delivery of the speakers, the format of the program and effectiveness of the people reporting and commenting in the program, and the visual footage or graphics used to enhance the story or provide information about the subject.
Another is not to show the performers at all, but to juxtapose the music with complementary visual footage, be it of pretty European lakes in the mist (in Naxos' Musical Journey series) or of the lights of a past Times Square (as an accompaniment to Paul Bowles's "Music for a Force" in the imminent Zeitgeist DVD "Night Music," devoted to works by Bowles).
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com