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Although never a nationalist or folk composer in the 20th-century sense, he often allowed the unusual contours of folk melody to lead him away from traditional harmonic procedure; moreover, that he resorts to a folklike idiom in setting Schiller's covertly nationalist text in the Ninth Symphony accords well with nationalist practices of the later 19th century.
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14-15), Schumanhenthusiasticsiastic proponent of collaboration, enlisted a distinguished poet, Cynthia Zarin, and an emerging folk-classical composer, Ellis Ludwig-Leone, whose score is performed live.
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Despite a sensational score, which many folks including composer Jerry Herman believe is Herman's greatest, Mack and Mabel didn't score well in New York.
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It was Constant Lambert who noted that "the strength of the English tradition in art is that it has always been open to fruitful foreign influences", and that the "self-conscious Englishry practised by the folk-song composers was in itself peculiarly un-English".
Some folks distrust composers who handle the "seams" between big set pieces well; they want their "stand and deliver" performance moments followed by an orchestral button that invites / enables / triggers applause.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com