Sentence examples for flow of sounds from inspiring English sources

Coleman's playing involves a unique form of improvisation, set forth in a flow of sounds that may resemble automotive disorder in one measure & pure bird song in the next.

Also involved in the story – and it is a story, although it may seem like a free flow of sounds and images – is a man known only as The Sampler (Andrew Sensenig), who combines a career in pig farming with a sideline as an experimental sound recordist, gleaning sounds from the environment (the bass throb of speakers, the scratched surface of waterpipes...) and turning them into musique concrète.

Most people, when they hear music, simply allow themselves to be inundated by the sheer flow of sound.

I closed my eyes and found myself unaware of the wall's existence: the wire mesh did nothing to stop the flow of sound.

(Warped judgments subvert the market; although even honest analysts have a hard time picking stocks, everyone benefits from the flow of sound information).

The basic idea is to reverse the flow of sound and send the music out of your stereo and into your PC (and then record it using a music-editing program).

Perhaps a tape by Espen Sommer Eide, an imaginative Norwegian composer, might suggest the erasure of memory: a flow of sound rolls in and drowns out a lighter distinct beat.

Nature is vital in education: according to David Ingvar, professor of neurophysiology: "It is necessary to be outside for our brains to be stimulated from the flow of sound, light, shapes and colours".

Not only are they visually disturbing in the otherwise pristine landscape, but the ebb and flow of sound is also more reminiscent of a jet plane than the woods of Maine.

But various compression techniques have made it possible to pack sound into smaller files; more powerful connections have made it easier for bite-size chunks of audio to travel from source to listener; and players have become more proficient at translating those chunks into a continuous flow of sound.

Leopold Stokowski created the signature lush string sound of the Philadelphia Orchestra by introducing "free bowings," which kept the flow of sound unbroken by simultaneous bow changing, and conducting with his expressive hands rather than a baton, which enabled him to milk the utmost vibrato and dynamics from his musicians.