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Discover LudwigThe phrase "flow of feeling" is correct and usable in written English
It can be used to describe the continuous and dynamic experience of emotions or sentiments in a particular context. Example: "The poem captures the flow of feeling that accompanies the changing seasons, evoking nostalgia and joy."
Exact(5)
The comedy's zest is more about the flow of expression than the flow of feeling.
These are like frustration dreams about stoppages in the flow of feeling.
There is in his work a colossal, unrelenting, inescapable flow of feeling, and not everyone can cope with it.
The hands tell us more than the faces, which is good news for anyone writing a paper on the influence of Rodin in world cinema, but which also suggests a cumbersome journey ahead for Volckman and his ilk: how far can any strain of film progress when it struggles to chart the flow of feeling on an individual face?
Shakespeare's sonnets for the most part have the natural flow of feeling and reflection translated into verse with an almost impulsive directness, but Mr. Brook has also selected the 31 sonnets for their fluid syntax and lucid meaning, easily transmitted in speech.
Similar(55)
Many are prone to treat the ebb and flow of feelings as though our passions were nothing but impediments to reason.
But if we want to convey the mood of a time and a place, the look of a setting sun, the subtle flow of feelings across a human face, the way it was to be there and experience it (whatever it was), the medium is film.
Each successive wobble is a compositional change — it builds up or directs the flow of narrative feeling in a piece.
It's the only work of criticism that brings me to the brink of tears, such is its mastery and the intense flow of its feeling.
Speaking on the final day of the annual Munich security conference Mr McCain accused Moscow of using its aerial campaign in Syria to add to the flow of people feeling the Middle East.
Wedding his vocal lines to the patterns of speech -- a cornerstone of his operatic philosophy -- he keeps the singers (here, Michael Hendrick and Christine Abraham) hovering at the edge of melody, borne up by a swelling orchestra that ravishingly depicts the ebb and flow of deep feeling without explicitly crystallizing it into pat phrases.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com