(Isherwood)20110609 'Catch Me if You Can' Though the real-life story of the prodigy con artist Frank Abagnale Jr. was full of unexpected curves, this flat musical interpretation (from the team behind the long-running "Hairspray") consists mostly of straight, dot-connecting lines.
(Isherwood) 'Catch Me if You Can' (closes on Sunday) Though the real-life story of the prodigy con artist Frank Abagnale Jr. was full of unexpected curves, this flat musical interpretation (from the team behind the long-running "Hairspray") consists mostly of straight, dot-connecting lines.
(Brantley)20110624 'Catch Me if You Can' Though the real-life story of the prodigy con artist Frank Abagnale Jr. was full of unexpected curves, this flat musical interpretation (from the team behind the long-running "Hairspray") consists mostly of straight, dot-connecting lines.
(Brantley) 'Catch Me if You Can' Though the real-life story of the prodigy con artist Frank Abagnale Jr. was full of unexpected curves, this flat musical interpretation (from the team behind the long-running "Hairspray") consists mostly of straight, dot-connecting lines.
The doctor's methods may be a little unorthodox -- he is the one who reclines on the couch, while Dan fidgets in his wheelchair -- but their sessions produce a flat-footed Freudian interpretation of Dan's character.
But though the playing was often strikingly beautiful, his interpretation was flat and emotionless: it might as well have been an ice sculpture.
A study comparing lesion assessment between US and Japanese expert endoscopists demonstrated a significant difference in the interpretation of flat lesions, including the identification of lesion depression.
Remaining bias in the residuals is attributed to the violation of assumptions in the one-dimensional GPR interpretation (which assumes flat, infinite, horizontal layering) resulting from multidimensional influences that were not included in the conceptual model.
After a graceful rendition of the Impromptu in B-flat (D. 935, No. 3), he offered a poetic interpretation of the G-flat (D. 899, No. 3), building in an arc from the introspective opening to turbulent ensuing sections.
Both men voted against the act, and both are flat-out wrong in their interpretation.
