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If a literary form like the fragment opens up the question of the relation between finite and infinite, so do the literary modes of allegory, wit and irony allegory as a finite opening toward the infinite ("every allegory means God"), wit as the "fragmentary geniality" or "selective flashing" in which a unity can momentarily be seen, and irony as their synthesis (see Frank 2004, 216).
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Participants were instructed to attend and respond when the cross flashed in red, which occurred in a semi-randomized fashion, with 100 150 events per run, each lasting 200 ms.
Two years later, I played in a sold out stadium in western New York for the Flash, in which extra seating had to be brought in to accommodate the fans.
All of us have had flashes in which familiar faces suddenly take on a feral aspect, and we apprehend the human condition as an animal state.
Recently, they initiated what they call "night flashes," in which three truckloads of peacekeepers drive into the bush and keep their headlights on all night as a signal to both civilians and armed groups that the peacekeepers are there.
He was the host and announcer for the game show "Quick as a Flash," in which historical events or current events were dramatized, and contestants were asked to identify them.
The first ballerina role here is a good one for Ashley Bouder, just because it takes her out of the bright flash in which she excels and into less familiar zones of poetic mystery, and she dances it lovingly.
"To this day I run into people who lived in the building at the time who remember their shock when the gate cranked open and there was George Balanchine saying, 'Floor, please?' " He counted the flashes of "Don't Walk" signs when they were first installed and then helpfully told others they had nine flashes in which to get across the street.
Also in 2010, Steve Jobs wrote an open letter to the universe, titled "Thoughts on Flash," in which he proclaimed that HTML5-style Web technologies were the way forward, not Adobe's proprietary Flash platform (which performs many of the same complex application-style tasks as HTML5, but which did not, and does not, run on an iPhone).
Her Creature comes back to haunt her, literally, as a spooky voice that describes her, aptly, as "Frankenstein's Frankenstein" and, borrowing the Miltonic accents that her learned self-taught creature himself borrowed, asks of her, "Frankenstein, why did you make me?" It's a play full of interesting flashes in which Mary seems to regret a free-loving misspent youth rather as a Sixties hippy might.
The fastest delay between flashes in which the participant reached an efficiency score of at least 93% (15/16) was used in the experimental task.
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