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Some years ago I happened to attend five different productions of Madam Butterfly in the space of a few months.
If memory serves, I seem to recall attending five different productions of "The Tempest" at the very end of the 1980s, and I can report as fact that last year I saw both "The Taming of the Shrew" and "Henry V" three times (four in the case of the history play if one adds in the actor Tom Hiddleston's hugely charismatic take on the title role on British television).
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Theater "THE ELVES AND THE SHOEMAKER," two different productions of the Brothers Grimm tale.
"THE ELVES AND THE SHOEMAKER," two different productions of the Brothers Grimm tale.
But why is the same company – Opera Australia, which has programming oversight over Hosh and commissioned McKneely's production – staging two different productions of the same show?
Or it's like writing a play and then having fifteen different productions of it — they're all totally separate from each other and from what you wrote.
Christopher Wheeldon's "Polyphonia" (2001) is the pre-eminent example: by 2007, Mr. Wheeldon had staged eight different productions of it around the world.
Triple helping of Puccini's opera If anyone else can remember a year when three different productions of Puccini's goldrush opera La fanciulla del West – usually a rarity – have been on in the UK, then tell us.
Diana Vishneva, who is Ratmansky's first-cast Aurora, reckons she's danced at least six different productions of Beauty during the course of her career, but that stylistically "this is by far the most challenging.
By Rebecca Mead In the past two decades, Marlis Petersen, the German soprano, has starred in ten different productions of "Lulu," Alban Berg's dark, atonal opera about a young woman who, having been despoiled — raised on the streets, she is taken as a much older man's mistress at the age of twelve — despoils back, ravaging husbands and lovers before meeting a gruesome end.
In the past two decades, Marlis Petersen, the German soprano, has starred in ten different productions of "Lulu," Alban Berg's dark, atonal opera about a young woman who, having been despoiled raised on the streets, she is taken as a much older man's mistress at the age of twelve despoils back, ravaging husbands and lovers before meeting a gruesome end.
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