"After the first wave of success, the bar was raised for cutting costs even more, and it went too far.
Nick Saban was not the first coach to create the first wave of success with the process focus program in sports.
"We had that first wave of success in the dying gasp of the music industry, before downloading changed everything," says guitarist Christian Livingstone.
Following her first wave of success in the..
"This is primarily due to disappointing returns that characterized Israel focused VC funds, in the year after a first wave of successes (primarily for small funds) in the mid 90's," said Barak Pridor, the manager of the new fund.
Inside, his home is filled with pictures, many of him -- as a boy, as a young man in the mid-1970's television series "Welcome Back, Kotter," during his first wave of film success after the release of "Saturday Night Fever" (1977), and then later, after his comeback with "Pulp Fiction" (1994), when he became a bigger star than ever.
AT&T exclusively rode the first wave of the success from Motorola's Razr flip phone, and it will be the only U.S. operator to sell Apple's iPhone when it launches this June.
"Genre fiction is ideally suited to screen reading because it's straight narrative and easily reflowable". By his reckoning, a first wave of commercial success for independent books can be pegged to the "reverted-rights out-of-print romance titles" that debuted as ebooks in 2009 or 2010 and proved the model could succeed.
Porcaro joined Toto in 1983, alongside his brothers Jeff and Steve Porcaro, after the band had its first wave of commercial success and the group's original bassist, David Hungate, moved to Nashville to focus on a career as a studio musician.
This sequel to "Captain Fantastic and the Brown Dirt Cowboy" is a fearlessly mature rumination, a pause to reflect for the erstwhile Pinball Wizard and longtime lyricist sidekick Bernie Taupin -- just like that 1975 concept album, which came at the peak of John's first wave of phenomenal success.
The third wave of success followed broadcasting's early burst of innovation in the 1950s and a second creative high point in the 1980s, with the likes of Hill Street Blues, but he warned that a fear of risk-taking and the "warp speed" of technological change could leave programme makers and broadcasters behind.
