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The two works on the first half of the program, after all, were composed in the 1920s.
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Ms. Astanova also failed to imbue the slow movements of either the Tchaikovsky, performed in the first half of the program, or the Rachmaninoff, played after intermission, with any sense of lyricism.
The first half of the program reached its flashiest peak just after Ms. Wu and Mr. Bax romped through Brahms's Hungarian Dance No. 5.
He supported Ms. Graham in two arias from Gluck's "Iphigénie en Tauride" on the first half of the program, and from Handel's "Alcina" and "Ariodante" after the intermission.
But Mr. Anagnost led only the first 4 movements in the first half of the program and the 9th and 10th (of 13, total) after intermission, the last two separated by chat.
At its concert on Wednesday evening at Alice Tully Hall, the Emerson String Quartet offered both: playing the alternate ending by itself in the first half of the program and the "Grosse Fuge" with the Opus 130 quartet after intermission.
There were three encores: Mr. Anderszewski played Bartok's Three Hungarian Folksongs after the concerto in the first half of the program.
This year's installment, at Merkin Concert Hall on Thursday evening, included premieres by Stefan Weisman, Lukas Ligeti and Joshua Penman on the first half of the program, and arrangements of older pieces by Meredith Monk — with Ms. Monk presiding — after the intermission.
The first half of the program was equally amazing.
119 Bagatelles on the first half of the program.
But the first half of the program proved unconvincing musically.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com