Sentence examples for first aesthetic from inspiring English sources
Best known for his "monochromes" -- paintings of a single hue, preferably blue -- Klein made his first aesthetic gesture by signing the sky in the Riviera resort of Nice.
The tones tend to reappear as needed: "Zuleika Dobson" (1911) is, with its po-faced climax of mass suicide among the Oxford undergraduates in despair at Zuleika's beauty, very much in the first, aesthetic manner.
When Rob Pruitt and Jonathan Horowitz, two Manhattan artists, bought an 11-bedroom Victorian house last year in this sleepy former resort town in the Catskills, the first aesthetic decision they made could have made them outcasts, or worse.
The perfect haven of beauty abloom with fragrant blossoms, the bubbling stone fountain in the center, the spring air limpid and the sunshine sending warm rays upon our shiny childhood hair -- it was my first aesthetic jolt.
Artists of the younger generation were acting as citizens first, aesthetic ciphers second, which seems to be a good model for how to be a political artist in revolutionary times (American art critic Ben Davis wrote very eloquently on this recently).
This is not the first aesthetic update PayPal has made to its site in recent times.
Here is the main problem with Baxter's entrails-first aesthetic.
Drawing melodies from the digital manipulation of bells and other found sounds, triggered by sequencers, creates a third aesthetic.
The second aesthetic quality is that of colour, the darkness or lightness of the block of type sensed somehow as a whole rather than as a collection of individual letter forms with substantive meanings.
Here is a table in Prague, glimpsed by young Simon: a carton of milk — mléko — of very simple design his Philip Morrises, the health warning in German her Petras, in a paper packet with a red sash a Cricket lighter While reading "All That Man Is," alternately admiring and frustrated, I suddenly realized that a third aesthetic informs Szalay's flight from The Novel: the pop song.
In his second aesthetic treatise (Bolzano 1849b), Bolzano explains his understanding of fine arts and of works of fine art, and he presents a classification of fine arts based on an ontological analysis of the works of fine art.
