Sentence examples for fire fog from inspiring English sources

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They are the only biological organisms in the Star Trek universe that can be whatever they want: various "solid" forms of life, but also a fire, fog, inanimate objects, operational computer devices, light reflections, etc.

"Water, fire, fog, smoke, ice, I do it all," Doyle says.

In 2009, the rechristened Bizarro added fire, fog and water effects along with an audio soundtrack.

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Mr. Schwartz recorded tour guides, singing children, fire engines, fog horns, merry-go-round calliopes, cabbies and other urban folkloric sounds that produced the city's collective voice now archived at the Library of Congress and collected in his albums.

Empty, gloomy, taken over by fire and fog.

Universal Studios Hollywood debuted a nighttime light show this week that features cutting-edge projection technology, fire and fog to depict a battle between Potter and the followers of the evil Lord Voldemort, played out across the surface of the park's 200-foot-tall Hogwarts Castle.

The missile strike resulted in the highest civilian toll in this city of 5 million since the conflict began, and occurred on a cold, sullen day in which windblown sand, smoke from oil fires and fog refracted the sunlight into dim, otherworldly shades of red and orange.

In the communities closest to the Paradise fire, an apocalyptic fog cloaked the roads, evacuees wandered in white masks and officials said respiratory hospitalizations had surged.

But dealing with science museums sometimes necessitates artistic compromise, said Ned Kahn, whose installations are often based on natural phenomena like fog, fire, avalanches and tornadoes.

A prodigiously researched history that is neither top-down nor bottom-up but cross-sectional: shunning traditional chronology and players (aristocrats are scarce), Ackroyd instead offers a London defined by a set of recurring motifs -- smell, sound, speech, fog, fire, ghosts and plague are some of the more significant.

A prodigiously researched history that is neither top-down nor bottom-up but cross-sectional: shunning traditional chronology and players (aristocrats are scarce), Ackroyd instead offers a London defined by a set of recurring motifs -- smell, sound, speech, fog, fire, ghosts and plague are a few of them.

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