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In her movies, Holofcener makes Keener an agent of precise continuity: she has a realistically finite wardrobe and actually eats the groceries she buys.
Similar(59)
Calling her Imelda, he uses her wardrobe permutations to make a more abstract point: "an infinite number of appearances with a finite number of outfits ensures infinite repetition".
Wardrobe malfunctions?
Open wardrobe.
But time is finite.
Beauty is finite.
Season one was finite".
"These are finite resources.
Fossil fuels are finite!
Life is finite.
"The opportunities are finite".
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