Sentence examples for final instrumental from inspiring English sources

A lush Latin-inflected R&B and soul song with a 70s Stevie Wonder flavour, The Rhythm Changes gives patiently sashaying singer Patrice Quinn her chance to slay a soaring vocal, before Washington's raised and then slowly sinking fist brings its frenetic final instrumental flourishes to a regimentally ordered halt.

It's also that rare thing; a song that works better the longer it goes on, with the slight shift in tempo heralded by the coda "baby, baby, I don't care who's around" at the four-minute mark delicately ushering in a final instrumental section that likely single-handedly created the careers of D'Angelo and Maxwell.

A third and final instrumental, "If Everyone Is Someone - No One Is Everyone," combines a bit of simple piano and guitar playing with bits of static, what might be the sound of a dog's bark, and other effects that echo the running water of the very first song of the album.

A third and final instrumental, "If Everyone Is Someone – No One Is Everyone," combines a bit of simple piano and guitar playing with bits of static, what might be the sound of a dog's bark, and other effects that echo the running water of the very first song of the album.

The final instrumental conditions were voltage at 19 kV, capillary temperature at 15 °C, wavelength at 254 nm, and phosphate buffer 100 mM, pH 2.5 as the background electrolyte.

In the studio for only half a day, Wickham's electric violin became the final instrumental contribution to the song.

Balotelli gained national attention after he scored two goals against Juventus in the return leg of the Coppa Italia quarter-finals, being instrumental in a 3 2 away win for Inter.

(So did Ms. Doctorow's husband, Grover Gatewood, who created the graphic design; and her daughters, Graylen, 13, and Annabel, 11, who perform the final, 31-second instrumental track).

Only the final track, an instrumental titled "Kiwi Maddog 20/20" (a reference to the low-end fortified wine), had full band instrumentation.

The final major category of instrumental methods is the separatory methods.

Arguably the best track on their 1998 breakout third album The Boy With the Arab Strap – the one that earned them a Brit award, much to the consternation of Pete Waterman – culminates in a gorgeous, swirling, swelling instrumental, the final minute or so of which is embellished by Fender Rhodes, trumpet, synthesiser and the dulcet drones of you-know-what.