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By the early 1920s basic circuits for sine-, squand-, and sawtooth-wave generators had been invented, as had amplifiers, filter circuits, and, most importantly, loudspeakers.
Signals rich in harmonic partials (such as sawtooth waves) are selected by the performer at the keyboard and combined and shaped acoustically by filter circuits that simulate the formant, or resonant-frequency, spectra i.e., the acoustical components—of conventional organ stops.
Filter circuits are used in a wide variety of applications.
These two filter circuits are capacitively coupled using overlapping microstrip lines.
An array of six filter circuits simultaneously filters the current signals before being fed to the data acquisition system.
The chapter explains the aliasing theory, and explores the examples of passive and active low-pass filter circuits.
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The formant depends on the filter circuit and does not relate to the frequency of a tone being produced.
Fig. 9 Tow-Thomas band-stop filter circuit.
Fig. 14 The simulation results of TT band-stop filter circuit and Åkerberg-Mossberg band-stop filter circuit.
Thus, we apply eight-level pipelining to the 9-tap filter circuit and six-level pipelining to the 7-tap filter circuit.
The Tow-Thomas band-stop filter circuit and Åkerberg-Mossberg band-stop filter circuit are synthesized by nodal admittance matrix expansion on the same port admittance matrix.
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