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Films nearly always depict big business as malign.
Burckhardt produced over 90 films, nearly all cheaply-made 16mm, less than 30-minutes long, and accompanied by sound (poetry, jazz or Scarlatti).
But younger viewers, especially those who have grown up downloading American sitcoms and films — nearly all of them illicitly — increasingly demand the technical wizardry and narrative complexity that they say is often lacking in state-backed productions.
Long before party-goers at New Jersey beaches and dudes who shock themselves with Taser guns were deemed worthy of their own television series, there was the music video: an art form so prolific and diverse that there were whole television channels that ran almost nothing but these short musical films, nearly 24 hours a day.
They called her Baby Marie Osborne, and in silent films nearly a century ago she was America's little sweetheart, a precocious, chauffeured, $1,000-a-week prodigy who could turn on the tears or a sunshine smile and break your heart.
Do you do a trailer that's more light and comedic that hides the fact that it's really about three soldiers, or do you try to stay as true to the spirit of the film as possible?" Tom Ortenberg, president of Lionsgate Theatrical Films, nearly conceded that the studio felt uncertain.
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Not every scene in the film, nearly two hours long, had to be reshot.
The herd of stampeding elephants that climaxes the film nearly flattened Schoedsack and his cameraman.
In the course of the film, nearly every human appendage that can be severed is, on camera.
To capture the spirit of the early Greek Olympics, she filmed nearly naked athletes in an array of heroic poses.
Von Sydow, who has long lived in Paris, always returned to Bergman, who made a film nearly every year in Sweden.
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