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The biggest ticket-seller among its films — it has produced about 30 — was "Charlie Wilson's War" in 2007.
Hengdian doesn't just want to make films; it wants to use its sets to tell the Chinese people their history.
The films it selects are accordingly diverse.
Many films it invested in never got shown.
The films it most closely resembles epitomise these two strains.
Like Herzog's films, it combines extremity with implacability.
In documentary and foreign films, it was a different story.
And when I see it in films it thrills me.
In other films, it is the French who are skewered.
Like his films, it was beautiful but not sentimental.
"It happens in films, it doesn't happen in real life".
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