Sentence examples for film debating from inspiring English sources

Unsurprisingly, the US press has devoted a lot of attention to the film, debating whether the release of a 9/11 drama was appropriate.

There are spectacularly neglectful mothers in Philip Hensher's 2011 King of the Badgers, and in Dennis Lehane's thriller Gone Baby Gone (1998) – the Lehane ending on a decision concerning the mother that must have every reader (or viewer of the 2007 film) debating the rights and wrongs of the case.

The following year, Nichols played a member of a high school debate team in the independent film Debating Robert Lee (2004) and had a two-episode role in the crime drama television series Line of Fire (2004), which was cancelled after 11 of 13 produced episodes were broadcast.

Because of the viewer backlash Animal Planet received for allowing meerkats from the Meerkat Manor series to die, the producers of the film debated including the filmed death of a young meerkat who was bitten by a snake.

But where Kieslow ski's profoundly humanistic films debated the existence of God and Mr. Egoyan's movies intuit a mysterious, often tragic element of fate at work in human affairs, Mr. Tykwer's coolly crafted films bespeak a certain icy detachment.

But in the meantime, they will analyze the film, debate among themselves and discuss the significance — and the consequences — of one interception on an otherwise promising night.

He made his claims in this film before debating with Conservative MP Alan Duncan and Labour's Margaret Curran.

Each week, the Daily Politics offers a platform to a famous person to make an opinion based film before debating their take in the studio.

One brave student refuses to sign, risking a flunking grade, and spends the film passionately debating God's existence with Sorbo, who is mercilessly cruel in his bullying of the young believer.

When Chapter 27 premiered at the Sundance Film Festival, the film was debated fiercely by critics.

Some would use this as ammo in the recently fashionable telly-over-film debate, but White's shrug of a spy thriller hardly gives cinema a chance; adapted from Le Carré's most classically suspense-driven novel of recent years, it's colour-by-numbers film-making in which every number calls for a moody shade of beige.