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In the figure (adapted from Margolis) I've drawn a two-dimensional epistemological space showing the four cognitive states you might be in as you hear and discuss a story about X — let's suppose that X is two adult siblings having consensual safe sex.
Figure adapted from [8].
Figure adapted from Evans et al. (2005).
Figure adapted from Wardman et al. (2013).
Figure adapted from Webster et al. (2003).
Figure adapted from Tosi et al. (2013).
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In fact, throughout Europe the "Italian Renaissance" meant, for artists between about 1500 and 1530, the enjolivement, or embellishment, of an already rich decorative repertoire with shapes, motifs, and figures adapted from another canon of taste.
In fact, throughout Europe the "Italian Renaissance" meant, for artists between about 1500 to 1530, the enjolivement, or embellishment, of an already rich decorative repertoire with shapes, motifs, and figures adapted from another canon of taste.
Figures adapted from [10, 46].
"Hidden Figures," adapted from Margot Lee Shetterly's book of the same name, highlights the contributions of the black women who worked at the National Advisory Committee for Aeronautics (which would become NASA) through the mid- to late-1970s.
Figure 9, adapted from Figure 3 of Nishino et al. (2010), shows a schematic illustration of the type-II entry of protons that generate wave activity in the deepest wake.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com