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Like so many of the objects themselves, it is a history lesson in figurative form, not about the pleasures of looking so much as learning.
Three of them involve crumpled aprons and some combination of makeup or paint, both lying about and applied to a vertical, implicitly figurative form of wood, steel or plastic.
De Kooning and Gorky wanted to take the figurative form beyond impressionism, beyond cubism and into total abstraction: to create paintings that felt like the subject, although the subject wasn't discernible.
Reminiscences about the adult Schwitters invariably describe how he used to keep his head bowed when out of doors, obsessively scavenging for bits of junk for his collages, constructions and sculptures.The barn relief takes no recognisable, figurative form though its ascending central shape is wing-like, and one modelled area may evoke a face with huge, goggling eyes.
The Russian version was also created in 2011 (Veraska and Gorovaya, 2011) and while its psychometric properties are yet to be studied, it showed good construct validity by correlating moderately-to-strongly (ranging from 0.63 to 0.75) with the figurative form of Torrance Test of Creative Thinking.
Duality-of-mind theories (see Gawronski & Creighton, 2013), which describe and compare the automatic (heuristic) and the reflective (systematic) minds, reveal that a figurative form of material is appropriate for automatic (System 1: Kahneman, 2011) processing.
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IVORYTON "Figurative Forms and Fantastic Creatures," group show.
This chapter aims not only to reflect on abstract categories but also to illustrate the relationship between these two figurative forms, recovering their underlying metrics.
On the other hand, Anna Boothe's kiln-cast figurative forms with their ritualistic sensibility are overshadowed by the work of Tim Wagner, the artist she selected.
It's evolved far beyond early tagging (abstractly writing a name or word in spray paint or marker, usually illegally) to more painterly and figurative forms.
Through a half-century-long career, his truth-seeking was a constant, while his painting — with abstract and figurative forms bumping together and overlapping — restlessly changed style, as he tried different ways to make it express his evolving ideals.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com