Sentence examples for fight direction from inspiring English sources

BRIGHT IDEAS By Eric Coble; directed by John Rando; sets by Rob Odorisio; lighting by James Vermeulen; fight direction by Rick Sordelet; costumes by Gregory A. Gale; original music and sound by Fabian Obispo; hair and wigs by Darlene Dannenfelser; production manager, B. D. White; production stage manager, Anna Saggese.

OTHELLO By William Shakespeare; directed by Arin Arbus; music by Sarah Pickett; choreography by Doug Elkins; fight direction by B. H. Barry; sets by Peter Ksander; lighting by Marcus Doshi; costumes by Miranda Hoffman; sound by Matt O'Hare.

CRISPIN'S DAY By Matt Pepper; directed by Simon Hammerstein; set by Michael V. Moore; costumes by Charlene Alexis Gross; lighting by Peter Hoerburger; fight direction by David Heuvelman; production stage manager, Terry Ciofalo; assistant stage manager, Justin Lioi; production assistant, Jamie Darnton.

It is disconcerting, though, when Sabine and Milady strip down to cross swords (with Brad Lemons's impressive fight direction).

David Anzuelo's fight direction is also impressive, but a couple of the death scenes go on so long as to be almost comic.

We can't always tell where Sean Curran's slinky, dangerous choreography ends and Rick Sordelet's stylized fight direction begins, and that's admirable.

I needed to give my team some confidence, some fight, some direction and get the focus on where we were going to go".

Two hacker founders refuse to give up ground over an architectural decision,  product-oriented founders with similar skill sets fight over direction and so on.

This is largely because the film is edited to jump directly from scenes in which Mr. Baker prepares the Bush team for "a street fight," giving directions about where to stage protests, to scenes where Mr. Christopher counsels caution and calls for an "orderly process" without protesters.

Directed by Andy Fickman; choreography by Paula Abdul; sets by Walt Spangler; lighting by Robert Perry; costumes by Dick Magnanti; sound by Lew Mead; fight director, Rick Sordelet; musical direction, David Manning; orchestrations by Nathan Wang and David Manning; production managers, Dominic Housiaux and Kai Brothers; stage manager, Richard Druther.

Early in the marriage, they fought over directions virtually every time they sat in the car together.