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Dana Hanson, endearingly all long legs and arms, made a nervous-looking role debut in the fifth variation, in a lead cast completed by Amanda Edge, Ashley Bouder and Abi Stafford.
This especially leaves a gap in the spacious flow of the opening Preghiera invocation, but also in the immense contrasts of scale of the fifth variation, which passes without the luxurious tension that can make it hair-raising.
It contains a recording of the fifth variation of the third movement from Beethoven's String Quartet Op.18 N.5, performed by a woodwind quintet.
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Stalling tactics dominate the first variation.
But I love that eighth variation.
Dena Abergel had clarity and energy in the first variation.
The long-limbed Ashley Laracey danced the first variation like a flowing dream, with Erica Pereira standing out for the piquancy of her second variation.
Crystal Costa sparkles in the contrasts of the fourth variation.
It was Yachvili who provided a second variation on the kicking theme.
The first variation was danced by David Blumenfeld at the matinee and Ben Griffiths in the evening.
Or more accurately, a third variation is winning — a combination of the two.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com