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The fictional content of a mock edition of the Washington Post that appeared on Wednesday feels much saner than the reality depicted in the actual edition of that paper.
Walton calls such generators of fictional content props.
Props in such games are means to imaginative ends, deriving their instrumental value or interest from the intrinsic value or interest of the fictional content they help generate.
What such representations represent is a matter of how they stand ready to function as props, how they stand ready to shape fictional content by helping to generate it when games of these familiar recurrent kinds actually get played.
A sophisticated and highly influential contemporary exponent of this kind of approach to art and, more specifically, to the philosophical analysis of depiction and fictional content, is Kendall L. Walton (1990).
Iconic and verbal representations of various familiar traditional kinds dolls, hobby horses, statues, paintings, novels are inanimate props, artifacts whose whole raison d'être is to help generate fictional content in make-believe games of various familiar recurrent kinds.
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To examine whether violence in fictional and news television content frightens and worries children.
Theoretically there is no limit to the number available, since changing social patterns provide fresh subjects and fresh taxonomies, and new metaphysical and psychological doctrines may beget new fictional approaches to both content and technique.
But it's now clamping down on not-safe-for-anywhere content depicting fictional "incest, sexual depiction of minors, and suggestive sexual violence".
Facebook doesn't ban fictional characters with hateful content as a rule, but interestingly Pepe the Frog is well enough established as a hate speech symbol that Facebook has a very particular policy devoted only to the cartoon frog.
(Since it is active in America, it was not willing to be identified for this article. A disclaimer on the site says the contents are fictional; we make the assumption that they are informative all the same).
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com