Sentence examples for fiction resulting from inspiring English sources

It started in 2005, when four writers led by Matthias Politycki demanded "relevant realism", fiction resulting from the "pressure of contemporary experiences".

The Pythagorean Paron (DK I 217. 10 15) is probably a fiction resulting from a misreading of Aristotle (Burkert 1972a, 170).

His fiction resulted in more letters of complaint being sent to the former publication than any other writer, a predictable result of its audacity.

Combining Russell's suggestions that talk of "minds" or "physical objects" is to be analyzed in terms of classes of sensible particulars with his general view that classes are "logical fictions", results in the view that minds and physical objects too are "logical fictions", or not parts of the basic building blocks of reality.

The findings, in effect, dismiss as fiction results from 17 papers that had been promoted as major breakthroughs in physics, including claims last fall that Bell Labs had created molecular-scale transistors.

Drawing from a wealth of 18th, 19th, and 20th Century fiction, the resulting universe of The Double is a mixed bag of science fiction and fantasy tropes that mirrored perfectly the bleak, oblique chaos of Simon James' inner world.

Occasionally nonfiction authors explore their themes throughout several books, resembling serialized novels of fiction, also resulting in high sales.

The pattern of results associated with emphasizing details is consistent with those reported by Eslick, Fazio, and Marsh (2011), who found that highlighting correct and misleading general knowledge details in fiction stories resulted in an increased likelihood of using those incorrect details to answer questions on a subsequent general knowledge test.

Commenting on the program's animation, The A.V. Club journalist thought that its emphasis on the convergence of various science fiction techniques resulted in aesthetically pleasing visuals.

The publisher, Joseph Ferman (father of Edward Ferman), declared that he wanted well-told stories of action and adventure; the resulting fiction contained more sex and violence than was usual for the science fiction (sf) genre in the late 1950s, and sf historian Mike Ashley has suggested that the magazine was ahead of its time.

In recent years, the radicalism of the 60s and 70s and what happened to it subsequently has again become a favoured theme for American and British fiction; but the resulting books, such as Hari Kunzru's My Revolutions and Dana Spiotta's Eat the Document, while compelling as storytelling, have contrasted the past and present too crudely.