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Writers of historical fiction need to understand the cultural context of sexuality, Waters continued.
That dystopian fiction need not be confined to the developed world.
Even devotees of heavy fiction need light aperitif "reads," like these summer whites.
He taught me that fiction need not thump tubs to change opinions and that a gently comic tone can work wonders.
Teen and YA fiction need to keep their readers hooked in other ways than waiting for the next adrenaline-triggering gore-fest (Dan Brown and Stieg Larsson prose are an example of the latest).
This weekend, he finished up the portraits of this year's authors: A few days late but valuable as ever, here are the thoughts of one of our regular readers, who is at the festival: Does contemporary fiction need to be modern?
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Fiction needs to work with that.
Motive tends to provide coherence, and fiction needs things that cohere.
One might be that science fiction needs more than whizz-bangery to succeed.
And fiction is an incredibly important force in shaping children and that's why fiction needs to be diverse".
Another reason is that fiction needs egotism, vanity, venality, in order to produce drama and comedy; we want our sepulchres craftily whited.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com