Sentence examples for felt pertinent from inspiring English sources

Yet the program was up to date in other ways: it had a strong focus on the ambitions and insecurities of young women, which felt pertinent coming two days after Hillary Clinton's emergence as the Democratic Presidential nominee.

The numerous ions and compounds in industrial effluents may interfere with the estimation procedures and hence it felt pertinent to prepare synthetic effluents.

Half the attendees received a sheet asking to list all the quality of care issues they felt pertinent to the case.

Second, the interview guide was devised by the researchers and could have influenced the findings, although the interviewer did probe other issues that arose and encouraged people to discuss whatever they felt pertinent.

This analysis feels pertinent when looking at "Anonymous: Contemporary Tibetan Art" at the Samuel Dorsky Museum of Art in New Paltz, N.Y., which expands upon the 2010 exhibition at the Rubin, and features many of the same artists.

Similarly, Alexey Gordienko's photograph "Demonstration, Leningrad" (1988) feels pertinent — although the exhibition does not include a translation of the placards carried by the activists or any description of what they are demonstrating for (or against).

Written by David Simon, creator of The Wire, and directed by Paul Haggis, the six-parter is both a pitch-perfect example of how to make recent history feel pertinent and fresh – and an astute, not to say bleak, commentary on the terrible lure of political power.

At a time when such a dramatic question may actually feel pertinent, one can find solace in the answer: No (well, not exactly).

In the midst of Jeremy Corbyn's messianic surge, the play – and Benn's anti-Blairite sentiments – felt particularly pertinent.

Ashton, who has been an actor since childhood, said that the speech felt particularly pertinent to her. "I'm attempting to write a book exploring female identity through the microcosm of acting, so the notion of the whole world being a stage – and perceptions of performance and reality becoming tangled – is very close to home for me".

Had the museum produced a catalog or included the work of younger artists for whom Mr. Shields's collage aesthetic might be regarded as a forerunner — for example, Polly Apfelbaum, Jessica Stockholder, Jim Lambie, Jim Isermann, Virgil Marti and Dinh Q. Le — the exhibition might have felt more pertinent.