Sentence examples for feeling for material from inspiring English sources
The phrase "feeling for material" is correct and can be used in written English.
It can be used when discussing an understanding or sensitivity towards a particular substance or context, often in creative or artistic fields.
Example: "As a designer, having a good feeling for material is essential to create innovative and functional products."
Alternatives: "sensitivity to material" or "understanding of material".
Her lyrical forms and feeling for material made her one of the most influential sculptors of the mid-20th century.
Another is a feeling for materials.
Her gift is for applying a sculptor's feeling for materials to two-dimensional images.
His first job was to research building restoration and he worked with craftsmen for 10 years to gain a feeling for materials.
Lines both actual and drawn are a recurring theme, but until recently her feeling for materials has been stifled by commercial-art slickness.
Although he has a wide cerebral streak, Mr. Pernice gets a lot of mileage from his feeling for materials and consummate sense of touch.
Buzzy, kaleidoscopic effects aside, "Cloud City" is weak in the here and now: slightly creaky, devoid of any feeling for materials or sense of craft.
The best artists in the show think in images and have a strong feeling for materials, and they are determined to use images and materials in a sensuous, physical way.
This background means, firstly, that the book is full of images – Morgan's drawings and equipment as well as reproduced photographs, diagrams and artwork – and shows real feeling for materials and their properties.
SoHo Through July 14 Toru Hayashi, a Japanese artist who has lived in New York since 1990, has a sharp mind and a wonderful feeling for materials, but his second exquisitely reduced solo show creates the impression that he is taking care not to strain himself.
It brings the viewer into close contact with indelibly Japanese qualities: the veneration of natural beauty that has its origin in the Shinto religion; an appreciation, encouraged by Shinto, of the rituals and objects of everyday life; and finally, a vitality and expressiveness and above all a feeling for materials that distinguish Japanese art from its Chinese models.
