Sentence examples for feeling and form from inspiring English sources

Ms. May moves in a fantasy world where she articulates relationships between feeling and form.

That shadow between feeling and form, which may begin in gender, releases artistic energy all one's life.

To experience a dance with such integrity of feeling and form made sitting through everything else Houston Ballet had to offer more than a little agonizing.

Yet in this rigorous juxtaposition, Ms. May created a distinct place for feeling and form to meet, as if distilled into a single sensation.

The resilient mergers of feeling and form in Pollock's galvanic fields, de Kooning's dismembered figuration, Rothko's transcendent color, and, in sculpture, David Smith's stately animation mutely chastise lopsided partialities of any stripe.

Hailed as "the great new hope" and "wunderkind" of contemporary dance, "a phenomenon" and "a marvel", he's an (extremely muscular) human whirlwind, leaping from project to project, and travelling the world on an endless, exhaustive, exhausting quest for new ideas, new creative partnerships, new marriages of story and feeling and form.

Adolescents show heightened self-consciousness, develop increasingly complex and important peer relationships, experience sexual feelings and form romantic relationships, and demonstrate better understanding of other people compared to younger children (Steinberg & Morris, 2000; Spear, 2009).

The researchers then had the white medical students read two medical case studies--one described as a white patient, the other black--and assess the level of pain the patient was likely feeling and what form of pain relief would be appropriate.

Rather, in its harmonious balance between the playful (in tone and form) and the serious (in form and feeling), "Wild Grass" is among his finest in years, which makes it an event.

Nervo's introspective poetry, characterized by deep religious feeling and simple forms, reflects his struggle for self-understanding and inner peace in an uncertain world.

For Moore, I think it was more to do with stripping back the baggage that sometimes comes with art history, and just being instinctive and "feeling" through form and sculpture.