Sentence examples for feel radically from inspiring English sources

This year the party moved to the Wallis Annenberg Center for the Performing Arts in Beverly Hills, yet the space itself didn't feel radically different, with most of the action taking place in a big, disco-blasting rectangular room with a round, loungy room hosting some of the more intimate, mega-famous-people exchanges, all while the inevitable In-N-Out burgers were passed.

Much of this can be attributed to the inherent cyclicality of style and fashion the revival of neon in the late 80s and early 90s go a long way in making the pastel color schemes of the mid-century feel radically relevant.

Reading fiction feels radically private, because so often we seem to be stealing the failed privacies of fictional characters.

Her mode of remove extended to feminism and, by her own admission, she felt, "radically separated from most of the ideas that seem to interest other people".

In a column she started writing for Life in 1969, she introduced herself as "a woman who for some time now has felt radically separated from most of the ideas that seem to interest other people".

Be it in detailing or material choices, these projects mine the rich catalogue of architectural history and redeploy that learning in a way that feels radically fresh and new – in a manner that might even be called (whisper it) "postmodern".

Such a virtuous path feels radically out of step with our self-regarding times, in which it is assumed that every 12-year-old in the country should broadcast his or her likes, dislikes, friends, enemies and distant crushes to the world of the Web.

The talking-heads-with-clips format so dominates the contemporary nonfiction film that Daniel Kraus's "Musician" feels radically fresh: It simply observes its title character, the avant-garde jazz musician Ken Vandermark, in the manner of a 1960s fly-on-the-wall documentary like "Salesman".

Writing papers as a postdoc feels radically different from when I was a Ph.D. student.

The changes are probably modest and, of course, I'm comparing this production to a production I saw only once back in 1992, but the Night Train scene felt radically different and powerful.

In all three, you still feel how radically Balanchine advanced classicism.