Sentence examples for fear of the effect from inspiring English sources
More important, Mandelbaum writes with a quasi-Luddite fear of the effect of Facebook on personal relationships.
The dispute began when the Forest Service refused to rebuild a washed-out stretch of road for fear of the effect on a threatened fish, the bull trout.
Next month, the easy diplomatic course might be to toast Germany's great democracy, its economic prowess and to let the rest lie — without any reference to a German strategic choice seemingly inspired by the government's fear of the effect of Libyan intervention on a series of important regional elections this year.
Some men stated that they intended to continue with the trial, but they had to stop before receiving the vaccine because of fear of the effect that the vaccine could have on their reproduction intentions.
When asked about the safety and risks of mammography screening, seven women mentioned that fear of the effect of exposure to radiation put them off.
(Senior Manager, Clinical Services) Several participants reflected that clinicians may react negatively to patient reminders and that patients may be reluctant to remind staff for fear of the effect this may have on their relationship with health care staff and the care they receive: Some clinicians might respond, okay well, sorry, I'm actually very busy, that's right I forgot.
Recently, I have been seeing boys and girls who do not want to eat because of a fear of the effects of fat and cholesterol on their bodies.
The work's title is "If I Paint Crowned I've Had It, Got Me," which conveys a certain fear of the effects of artistic success.
But its ability to influence events in Iraq is hampered, not least by Arab fear of the effects that Iran-sponsored Shia chauvinism might have on their own Shia minorities.
It was partly for fear of the effects of requiring compliance with Section 8's provisions, upon interruption of service, that Mr. Beck, who led opposition to the bill, urgently advocated an amendment exempting public utilities.
It originates in his fear of the effects of consumerism, which he says "packages experiences for sale" and produces what the art historian Barbara Maria Stafford describes as "a seamless spectacle of [artistic] goods".
