Sentence examples for fascinating letters from inspiring English sources

Admiration of these fascinating letters gave rise to letter writing as a literary genre.

Colvin presented Stevenson's letters to Fanny Sitwell to what is now the National Library of Scotland with the proviso that they were not to be opened until 1949; the revealing and often fascinating letters to Charles Baxter, a friend, were deposited in the Yale University Library.

Photographs by the lead actress, Emmanuelle Riva, and excerpts from the notebooks of the script supervisor, Sylvette Baudrot, are joined by Alain Resnais's fascinating letters to Marguerite Duras, an interview with Riva, an essay by Dominique Noguez that situates the film in French history and cinema, and another by the art historian Chihiro Minato about the reception of the film in Japan.

"I'd get these fascinating letters from her about life and politics," said Nagy. "She'd tell me which of her books to read and should not read.

About a month after the Hiroshima attack, Sam Marx, a producer at MGM, received a call from agent Tony Owen, who said his wife, actress Donna Reed, had received some fascinating letters from her high school chemistry teacher, Dr. Edward Tomkins--was was not at Oak Ridge.

About a month after the Hiroshima attack, Sam Marx, a producer at MGM, received a call from agent Tony Owen, who said his wife, actress Donna Reed, had received some fascinating letters from her high school chemistry teacher, Dr. Edward Tomkins -- who was now at the Oak Ridge nuclear site.

But there is a fascinating letter at the Grolier Club, dated 1858, from Ruskin to Norton.

Not long ago we got a fascinating letter in which Fitzgerald wrote a poem for his commanding officer in the Army, John J. Mathieson in 1918.

In a rambling and fascinating letter that Taylor reproduces in its entirety, written soon after she learned that de la Burde's other mistress was indeed pregnant, she tries to break it off.

When Max uses an ellipsis to condense a fascinating letter from Wallace to his editor Michael Pietsch about his reasons for using endnotes in Infinite Jest, one wants to snarl at him as if he were a waiter clearing away a plate we hadn't finished.

This happened most recently when I picked up David Remnick's fascinating "Letter from Moscow: The Civil Archipelago," which appeared in The New Yorker's final issue of 2011.