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We [human beings] are fascinated by trying to predict the future, and, of course, some things are easier to predict than others.
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I'm fascinated by that absurdity — trying to describe what a painting is like.
A lot of my work is about female empowerment, but a big question that kept coming up for me was, "What are boys allowed to do and how am I allowed to interact with them and work with them in a way that doesn't offend anyone?" I was fascinated by boyhood and trying to understand it.
My nephews were fascinated by it, and tried to position a box so that I couldn't see it on the screen.
He became a tennis partner of Gershwin's, was fascinated by Hollywood and tried to work his way into the film-scoring business, unsuccessfully.
This might tell you that I am fascinated by American politics, try to understand science, love food, and am an unreconstructed feminist with a romantic streak.
Spark was fascinated by suffering and even tried writing a critical study of the Book of Job but it was an active, robust kind of suffering that she liked, whereby hunger whetted one's wits.
What relation does the art have with your playing in Metallica? A. I'm fascinated by a creative moment, trying to guard the moment from contrived infiltration.
I became fascinated by that, and I tried to buy the book.
I've always been fascinated by what makes people create, trying to find a correlation between the ideas I subscribe to in art and what we create with music.
I am fascinated by that person who is trying to live authentically, but they are on the outside of society, so how do they manage in the world around them?
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com