Sentence examples for fantasy material from inspiring English sources

Not every vacation destination is good fantasy material.

That includes an unusual face-off opening weekend for the US and China, with fantasy material an increasingly strong performer in the latter.

I think at first he genuinely wanted someone to talk to, and as the letters progressed they did become more sexual...I could tell that having a sympathetic woman to write to made him feel good, and no doubt gave him some fantasy material.

Mr. Gewirtz said recently that he had included much of the fantasy material in a 2007 Kerouac exhibition he mounted at the library, and had planned to add a chapter about the fantasy sports in the catalogue but ran out of space.

Despite her assertion in a recent interview that this new book's fantasy material has its roots in popular prewar genre magazines, Atwood seems to be sleepwalking through a Doris Lessing phase, or exercising once again her own allegorical bent, most famously displayed in "The Handmaid's Tale".

Critical reaction to Andrew Stanton's John Carter, which I actually thought was great fun, suggests it is no longer possible to get weird and wonderful 1930s-style space fantasy material past critics without taking a sideways view of distinctly dated material.

That explains why Legendary Pictures, which also produced Christopher Nolan's Batman films, has fought to secure a film-maker with the potential to draw real magic from his fantasy source material.

In The Tale of Plagues and Carnivals, the endless play of pleasure and death leads ultimately to a sundering of the division between fantasy and material reality, with the division between Nevèrÿon and the streets of New York (in the opening days of the AIDS pandemic) finally collapsing in the narrative's conclusion, opening into new, queer quantum presents.

At a certain level the Bond books are cold war fantasies, celebrating material comfort and diplomatic importance at a time when Britain didn't have a great deal of either.

Palmer probably acquired some fantasy-oriented material that had been submitted to Amazing Stories, which gave him an immediate stream of submissions to work with.

The director, Rob Marshall, leaned on the US to squeeze out $306.8m worldwide for his Chicago adaptation in 2002 – but will be expecting to roam more freely with Into the Woods, because fantasy and fairytale material always has pan-cultural appeal.