Sentence examples for famous spectacle from inspiring English sources

The Chelsea Fringe Collins was designed as an alternative to that the more famous spectacle of English eccentricity, passion and plants, the Chelsea Flower Show.

Certainly the often rowdy behaviour during the weekly prime minister's questions helps make it the most famous spectacle in the parliamentary calendar.

This summer more than one million tourists will venture to the rim of the Grand Canyon and are likely to feel their jaws drop as they gaze upon the world famous spectacle: a vast wilderness of rocks, deep gorges and a mighty river lost below cliffs, buttes and pinnacles festooned in pastel shades of purple, orange, pink and green.

"Tusk" was the beefiest of the lot, and Rhino's massive new exploration delves into the creation of Fleetwood Mac's most famous spectacle.

Niagara Falls, cataract on the Niagara River in northeastern North America, one of the continent's most famous spectacles.

According to Gregoire, the "Bateaux des Reves" was loosely based on one of the most famous & costly spectacles in the history of European theatre--the marriage celebrations in Paris in 1581 for the union of the Duke of Joyeuse & the sister of Queen Louise of Lorraine.

The range of cards, featuring famous moustaches and spectacles, are handmade in the UK on 100% recycled, PH neutral paper and packed in a biodegradable cellophane bag, with a 100% recycled insert, reusable rubber band and recycled envelope.

He looked like a delicate aristocrat with a Medici type fedora tilted sideways, a cumulus billowing white silk scarf, a large bejeweled flowering brooch that said "Elvis," long stringy hair, and those famous wire rim spectacles.

And so you have the spectacle of famous economists retreading 80-year-old fallacies, or misunderstanding basic concepts like Ricardian equivalence; of powerful officials instantly canonizing research papers that turn out to be garbage in, garbage out; and so on down the line.

After working on "Parts of Some Sextets," she wrote the now-famous manifesto, "NO to spectacle no to virtuosity no to transformations and magic and make-believe no to the glamour and transcendency of the star image no to the heroic...," first published in 1965 in The Drama Review.

Cousins says that this places her in a "rare position" for a female director and he compares her, intriguingly, to Leni Riefenstahl, whose most famous films celebrated the physical spectacle of fascism.