Sentence examples for famous installation from inspiring English sources

The New York Earth Room is Walter De Maria's famous installation of 250 cubic yards of dirt, which fills a loft-size space at 141 Wooster Street, in SoHo, up to about two feet.

Altogether more pointed – at least in theory – is We Like America and America Likes Us (2010) by the Bruce High Quality Foundation, which name-checks Joseph Beuys's famous installation I Like America and America Likes Me, in which the artist shared a Manhattan gallery with a coyote for three days in 1974.

The Tate Modern in London announced on Monday that it had purchased one of Ai Weiwei's famous installations of life-size, hand-painted porcelain "Sunflower Seeds".

That's a whole epoch in the history of the Internet, and eons in the shelf life of consumer electronics; the chunky televisions Paik tinkered with, the building blocks for his most famous installations, are now obsolete.

It was one of the most famous installations in recent years, sending Daily Mail readers into hurricanes of fury and making 1999 one of the most talked-about Turner prize years ever, although Emin did not actually win.

MW · The Line of Beauty is on BBC1 in April 27 Spencer Tunick Some 1,700 people from places as far apart as Mexico and Australia braved a chilly Newcastle morning in July to pose nude for another of Spencer Tunick's now famous installations.

VICE News and Dexter Thomas (@dexdigi) traveled to Tokyo to learn more about the woman behind such famous installations as the Infinity Mirror Room.

When government authorities tried to destroy the sculpture, Vilks sold the massive wooden lattice to Joseph Beuys, the German artist who later bequeathed it to world-famous installation artist Christo.

3. Who are famous video installation artists?

The most famous recent installation is in the London Symphony Orchestra's new headquarters but there are numerous other successful implementations in offices, community housing developments and private houses.

Ms. Chicago's first solo venture in New York since 1987 and first museum show since her famous "Dinner Party" installation was exhibited at the Brooklyn Museum 20 years ago, this show is aesthetically vacuous, conceptually inane and morally disingenuous.