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Happily for that fool, the festival was dominated by the familiar complement of drifty and droopy white young things haplessly bumping into the usual life milestones — divorce, death, desire — their every banality immortalized by handheld digital cameras.
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His book brims with vignettes, which may be familiar but complement one other in ways that produce original insights.
The US cyber-attacks, which Carter said complemented familiar methods of signal jamming over radio frequencies, seek to instill a loss of confidence in the security and efficacy of internal Isis communications.
The selection of songs was praised for complementing familiar Zelda songs and sounds with new music.
Along with the usual complement of familiar Olympic sports, the Asian Games had a healthy heaping of local flavor, from the acrobatic game of sepak takraw, a no-hands brand of volleyball that is popular in southeast Asia, to the Indian tag game of kabaddi and China's own fast and furious martial art of wushu.
This program, offered as a tribute to the Ukrainian conductor Natan Rakhlin, who died in 1979, complements the familiar, by Berlioz, Tchaikovsky and Saint-Saens, with the truly unusual.
NMR is the basis of magnetic resonance imaging, or MRI, a non-invasive medical technique that complements more familiar techniques such as X-rays or ultrasound.
Complementing the familiar concept of harmonics (pitches drawn from the overtones of a given fundamental), Ms. Kimura has named her freshly discovered sonorities "subharmonics".
Over the past year, the city has been complementing the familiar gray dial meters with vending machines called muni-meters, some powered by solar energy, which dispense receipts that drivers display behind their windshields.
Student artists of the Yale Opera program are presenting two nights of staged arias, scenes and ensemble pieces in Sprague Hall this coming Friday and Saturday at 8 p.m. Complementing such familiar pieces as "Don Giovanni," "Lucia di Lammermoor" and "La Traviata" are excerpts from such more esoteric fare as Rachmaninoff's "Aleko," Dvorak's "Rusalka" and Robert Ward's "The Crucible".
This approach is in line with the developing agenda on patient reported outcomes, 13 14 15 16 17 and complements more familiar outcomes such as service use, costs, and mortality.
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