Sentence examples for exuberant outburst from inspiring English sources

George Mirijanian, the club's programme director and a former president of the Massachusetts Chess Association, told the Associated Press: "In my more than 50 years with the club, I had never witnessed such an exuberant outburst from club members.

"Margot at the Wedding," from 2007, was more than an exuberant outburst of pent-up bile and humor; it was a filmmaker's awakening, in which tone and rhythm, space and light moments of being rather than lines of dialogue were central to the effect.

"Margot at the Wedding," from 2007, was more than an exuberant outburst of pent-up bile and humor; it was a filmmaker's awakening, in which tone and rhythm, space and light — moments of being rather than lines of dialogue — were central to the effect.

During the more robust interlude that follows, a simmering tension contrasts with exuberant outbursts.

A modern version, gong kebyar, omits the trompong (gongs in a row) and saron (bronze slabs over a trough resonator) and replaces them with gangsa gantung (metallophone with bamboo resonators) and reyong of four gongs to produce exuberant outbursts of sound.

The trip includes exuberant fast outbursts – joy riding across the pampas, through ancient beech forests, curving along the edges of lakes.

Mr. Pirojenko, a winner of the 2004 Young Concert Artists International Auditions, captured the work's exuberant character and playful outbursts and comfortably surmounted the innumerable technical demands.

And even though the dances, many focusing on harvest and courtship themes, involved exuberant and even joyous outbursts of singing and foot-stamping, there were at least small signs that fear and tension persist.

The "Rigaudon" shifts from the preceding stateliness to a lively outburst for the exuberant Aaron Severini and Sean Suozzi, scissoring their legs in the air and joining Ashley Bouder, Lindy Mandradjieff, Megan Pepin and Abi Stafford in the arrow-sharp jump known as pas de chat volé.

Conductor Grant Llewellyn sustained the long span of the work from the opening Maestoso, where a slow lamenting tread periodically breaks into anguished outbursts, through the exuberant and capricious scherzo to the final return to the inescapable fact of death.

Many conductors cannot resist making every swelling crescendo and glittering outburst in this sprawling and exuberant work seem an expression of the ultimate.