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You focused on the extreme stories that revolved around the development of talent.
"You can't [easily] impress residents of the remote Tere-Kholsky district with extreme stories about taiga life.
When sufferers read these extreme stories they inevitably compare themselves, leading to denial.
The criticism that I think is reasonable is that these aren't exemplary stories; these are extreme stories that make for interesting stories for a documentary.
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In order to get people to that place, whether they're civilians or military, I feel like the power of tragedy is to present the most extreme story possible and then you walk back from that extremity.
An extreme story is not necessarily something that happens all the time.
Separate figures reveal a similar, if less extreme, story regarding Arts Council spending.
So I feel that by using multiple stories we are telling people that this isn't necessarily an exception, nor is this an isolated and extreme story.
"Clearly it's an extreme story, but I think that inside every couple there's an inevitable attempt to transform one's partner".
"A Widow's Story" is far less fastidious or clinical than Ms. Didion's much more painful and extreme story (which involved the near-simultaneous loss of her husband and their only child).
Probably the most extreme story I worked on was when a shibari master [an ancient Japanese practice which involves the tying of elaborate and ornate knots] tied me up at the bottom of a swimming pool.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com