Sentence examples for extreme portrait from inspiring English sources

Even more bravely the ever-questing author of "Prelude to a Kiss" and "The Dying Gaul" here presents an extreme portrait of a couple that suggests that at the heart of all relationships are the urges to torture and be hurt.

Although Ms. Sittenfeld's orchestration of such plot points can be predictable and ham-handed in the extreme, her portrait of Kate — much like her portrait of the Laura Bush-like heroine of "American Wife" — is so psychologically vivid that the reader easily overlooks the slick story line.

Think of images from Hubble and the like to be like extreme telephoto portraits of individual features, while this is an ultra wide-angle shot of our whole cosmic neighborhood.

Craig Lucas, the ever-questing author of "Prelude to a Kiss" and "The Dying Gaul," gives an extreme and bleak portrait of a couple suggesting that at the heart of all relationships are the urges to torture and be hurt.

(Scott) 'The Comedy' (No rating, 1 34) The apparently inexhaustible topic of adult male immaturity is pushed to a dubious extreme in this portrait of a rich New Yorker in his 30s (Tim Heidecker) who lives on a boat and passes his time drinking, playing pranks and being obnoxious.

August 13 , 1968Iran Benny Rebel, born Bahman Vafaeinejad (born August 13 , 1968 Arak, Iran) German Iranian photographer known for his extreme close-up portraits of dangerous African wildlife.

There was something epic and perhaps even Bollywood-tinged about some of the camera angles, which featured more extreme, squinting facial portraits than normal, notably in an opening segment dominated by the Indian bowler Sreesanth, surely the most accessorised cricketer in history, a jingle-jangle scarecrow of bangles, bandages, medallions and bracelets.

This gesture of extreme hosting is called "Portrait of the Artist".

In the next part of the show, it's explicit: here you'll find Joan Semmel's nude self-portrait, its extreme foreshortening exaggerated by a rather cramped installation.

The paintings of Bowery's friend Sue Tilley, lolling in her fleshy slumber, and works like "Standing by the Rags" seem to me not less contrived or extreme than the Bowery portraits, but more solemn, voluptuous and true.

Highlights for the remainder of the season include the U.S. début of the Israeli-born choreographer Hofesh Shechter, the talk of London, as well as the exquisite Indian dancer Shantala Shivalingappa and a theatrical version of David Michalek's "Slow Dancing," contrasting extreme slow-motion video portraits with live performance.